"When it comes to installation art, he is prone to an efficient form of spectacle: he simply has very large holes cut or dug in the walls or floors of galleries, museums and the occasional art fair booth, usually to startlingly beautiful effect. Implicitly Duchampian yet marvelously experiential, these pieces have seemed to signal the end of installation art, like monochrome paintings sometimes seem to forewarn the end of painting. Add nothing, just use the space and the architecture, dummy."
Roberta Smith ["Exploration of Space," The New York Times, October 29, 2009]
Roberta Smith ["Exploration of Space," The New York Times, October 29, 2009]
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